Space is not a background.
It is an active body.
My work in scenography and spatial design treats space as a dramaturgical force — something that thinks, resists, and remembers. Whether on stage, on set, or within installations and immersive environments, I construct spaces that shape perception before action begins.
These spaces are not illustrative. They are conditions: architectures of tension, absence, and rhythm. Light, material, scale, and distance are composed as narrative elements, often carrying traces of displacement, temporality, and lived memory.
Across theatre, film, installation, and virtual environments, my spatial practice focuses on how bodies enter, inhabit, and are transformed by constructed worlds — spaces that do not represent reality, but reorganize it.